Wednesday, December 10, 2008

Riding Herd

Well I'm back at work in Burbank. Lead Layout Artist/DP/Set Designer for my studio's first Full Feature CG Film. And it's Union. That being said, I think I've landed in a production that I do not want my name attached to. Be careful what you wish for and all that. 4 "Directors", 2 of which are the producers who tend to make blanket statements like "Let's do this in 3D Stereo" without actually knowing if the overseas Animation crew has the tech to do stereo. Two months ago.

Every department needs one more person at least. I and a Modeler are the Layout department. 2 guys. The real directors are forced to send kluged storyboards to India in the hopes that the Animators will know what to do with them. No Kickoff. No discussion. No continuity, attention to character placement, or notice of set. Shots come back from India, I sit with the director and proceed to redo the entire sequence. The Animators, through no fault of their own, are "doing the boards" not "using the boards". Those characters are spot on in the right locations as the boards call for them but tend to miss the big picture in terms of character location from shot to shot. Or staging a CG movie like it was 2D. Communication is stalled out at the top and pleas are ignored.

I'm teaching the Modeler how to look at compositions and camera. I almost wish I could go to India and give the animators a lesson in rule-of-thirds and what slow-ins and outs are for. Maybe 25% of the movie is in animation right now without proper composing. There's no line producer. No coordinators except for one guy who does scanning and download organization and director tracking. The art direction was farmed out. My supervisor works three days a week. Oh, and before they hired me, their Layout team consisted of three modelers they imported from India and then told them to do camera. Like teaching a fish to ride a bicycle.

On the plus side, no one has given me a due date for any work. The directors listen to me and do what I tell them. I even convinced one of them to send top-down schematics along with their boards to illustrate how the set should be involved. Just trying to staunch the bleeding. I'm learning a lot. Faking it well. Pushing for what I can and letting go where I should.

"It is what it is."

"That's the process."

Joy.

Tuesday, November 18, 2008

Back on track

I can smell burning in the air and I'm doing the dishes by hand.

I must be back in L.A.

Two weeks ago I answered a posting on 2-pop or Ani-Jobs forums for a
Modeler/Layout artist. I almost missed it due to the "/". I thought
what the heck and fired off another salvo. By the end of the week I
was in my car and on the road out west for a new position at Crest
Animation in Burbank. Turns out they are doing their first CG
Feature, a cute talking-animals movie about wolves, with the brain
trust in Burbank and the heavy lifting in India. The Layout team
consists of me, a modeler-stager, our three-day-a-week supervisor and
our beleaguered coordinator/director's assistant. They already love
me. The directors seem to want to listen to my opinions and are
actually taking steps to implement them. This should play an
interesting role in my career as the show I worked (almost) single-handedly.

After seven months, Bren is having to reassert her dominance as the
alpha-dog of the pack. This time they are smart, mobile and working
together. V is doing very well in school but having trouble hanging
on to her gear. Bren is attempting to get back into the gym but the
morning schedule fills up quick. It's probably strangest for the
twins. Daddy's gone again. They don't know what a 9-to-5 schedule
is so Daddy coming and going will become norm. Not sure how that
will play out.

Got a return nibble from Grapevine Star talking about some freelance
work for some new projects. Haven't heard back since the reply but
they seem busy with things like moving and lining up talent. Never
heard back from Jason.

This time feels a lot better. I like the smaller outfits. Greater
freedom and less apprehension. And Union to boot. Who cares if this
stuff will never get an Oscar. Cheap Insurance is the name of the
game right now. Long term, they seem to like to hold on to people
who make a difference. We'll see come March.